Our remedies oft in ourselves do lie,
Which we ascribe to Heaven.
All's
Well That Ends Well (I.1.231-32)
Towards the beginning of All’s
Well That Ends Well, Helena decides to take her fate into her own hands.
The guy she loves is Bertram. Although he is a Count and thus out of her social
sphere, she decides she must have him. As the play unfolds, he treats her
rather shabbily—in fact, quite horribly—as he pursues a marriage with someone
who can enrich his pedigree. But in the end, the smarter, nobler Helena does
get her way—i.e., her man. And the
play ends with a promise that these people will kiss and make up at a wedding.
Generally, the weddings that end Shakespeare’s comedies and romances have
dark implications, unresolved tensions that suggest the irredeemable compromise
involved in a remedy that is hardly a matter of unbridled happiness. For
instance, in addition to All’s Well, each
of the following plays ends with one or more weddings that were brought about
by trickery and abuse that is never explained away or entirely remedied:
·
A Midsummer
Nights’ Dream
·
Much Ado
About Nothing
·
Merchant
of Venice
·
Measure
for Measure
·
A Winter’s
Tale
And except for the case of Hippolyta, the Amazonian princess captured
by Theseus and essentially forced to marry him at the end of Midsummer, all of the marriages are ones
that the morally superior women seem to want. These marriages are, in other
words, all instances of an underdog seizing victory from the jaws of defeat by
taking charge of her own fate instead of blaming the stars for failing to
align. But Shakespeare does not try to suggest that these remedies will truly
make anybody whole.
Lawyers have to seize these kinds of compromised, quasi-victories all
the time. Otherwise we would go nuts. For instance, the other day I had to
dance with joy because the other side of a pro bono appeal I am handling
decided not to oppose a motion to stay that I filed in advance of the brief on
the merits. This victory does amount to some really good news for my client—but
only while the appeal is pending; it is hardly a complete victory or even a
suggestion of improved odds. But considering the vagaries of litigation, we
must celebrate when we can. Similarly, a friend of mine recently celebrated a quasi-victory
of this nature after a seeming loss before the SCOTUS. He was happy at least to
have garnered a terrific dissenting opinion supporting his client’s position and
to have gotten a holding narrow enough that it gives his client a chance to
fight another day on remand.
Taking it upon ourselves to craft remedies that, while imperfect, at
least permit us to sustain hope and thus get out of bed in the morning is a
worthy enterprise. These kinds of remedies are really quite distinct from the
Panglossian impulse to conclude that “all is for the best in this best of all
possible worlds” no matter what kind of shitty things happen. These exercises
in quasi-optimism are about warding off despair within the confines of what is
truly possible—outcomes that are never perfectly fair, good, or beautiful. These
are remedies with cracks in them, which, to paraphrase another great poet, Leonard
Cohen, will at least let the light get in. See
“Anthem”:
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
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